Constantly changing percentages written on the screen of MTN cell phones stand for constantly changing discounts on the amount charged per-minute. Depending on where you are in Rwanda, and even where you are within Agahozo-Shalom, you will be paying different amounts for calls if you use MTN. Strangely, when I learned this, and saw 90% on the phone, it was like seeing "90% Off" at the Gap. You think, "oooh! I am in a 90% zone! Quick, I should make a call to take advantage!" I haven't actually called anyone because of this, but there is that initial irrational yearning that I am sure some percentage of the population, when given some percentage, will give into. Saturday, July 23, 2011
Cell Phone Marketing in Rwanda
Constantly changing percentages written on the screen of MTN cell phones stand for constantly changing discounts on the amount charged per-minute. Depending on where you are in Rwanda, and even where you are within Agahozo-Shalom, you will be paying different amounts for calls if you use MTN. Strangely, when I learned this, and saw 90% on the phone, it was like seeing "90% Off" at the Gap. You think, "oooh! I am in a 90% zone! Quick, I should make a call to take advantage!" I haven't actually called anyone because of this, but there is that initial irrational yearning that I am sure some percentage of the population, when given some percentage, will give into. Friday, July 22, 2011
Girls in School
In the office of a local public primary school, a school employee was looking over a chart comparing the number of girls and boys who had dropped out. It was divided by class so, from an outsider, things didn't look too bad: Perhaps one or two more girls than boys had dropped out in any given term in any given class. "Well, things are looking up," I said. He shook his head. "I have seen more girls than boys drop out," he told me. "Maybe 2010 was just a random good year." Even looking at 2010, there was statistical significance of more girls dropping out if all grades were combined. Plans for Permanence and Pyramids
Grand plans for a new permanent market are under way in Rubona Center. Most of the welding for the metal door frames and windows is being done right outside of Dativa's milk shop - the milk shop that used to be the best location, being the first shop one passes when entering the center from the direction of Agahozo Shalom and Ntunga, the closest sector with a paved road. The welding makes a loud noise and looking at welding is like Superman looking at Kryptonite or, well, human beings looking at the sun. Welders in Rwanda wear only sunglasses. 
Monday, July 18, 2011
Glossy Glow

A few months ago I did an art “family time” with markers and paper, and everyone was sort of bored. Reviving the art idea, I decided to take my sister's advice of introducing collage making. I grabbed colored papers, tissue paper, scissors, glue and some of those soft colored mini palm-palm thingies that you may remember from kindergarten as serving close to no purpose in this world. Ah, and on the way there I grabbed a few magazines.
In the end, it was all about the magazines.
I remember how Sudanese, Congolese and Eritrean refugees in Israel used to hang up cut-out images from magazines as wall decorations. I remember how I used to hang up cut-out images from magazines as wall decorations. But I forgot just how much I used to and just how rare glossy magazines in Rwanda are. At family time, the combined culture of high school and magazine rareness created a crazy rush of magazine cutting and lots of anxious, eager and quick ripping off of any image that caught anyone’s eye.
This wasn’t the first time I had brought magazines, but it was the first time I had brought them with scissors.
A life of practice in precise scissor cutting is something I now know is a luxury. Scissors dexterity is one of those usually useless skills you may have picked up if you grew up in a country with a plentiful supply of scissors, and I tried to show the students how Angelina Jolie and the Rolex could be removed from their backgrounds and placed next to or on other images that were cut out – say, adding bunny ears to Angelina or making the watch fall from the sky. But eagerness to get as many images cut out as possible before I left overshadowed the careful art of cutting along the lines. “Do you have tape?” one girl asked. “What,” I responded, “anything to stick things?” She nodded and I gave her glue stick, which a few students tried to use to hang up pictures on the wall. When that didn’t work, I needed to break the news that there was no tape, another rarity round these parts.
Magazines really are placed on a rare-commodity pedestal. Above pastels, fancy 8H pencils and glass beads. If I had to choose between pretty beads and old magazines from 2009, I would choose beads. But if you walk into the art room at ASYV, beads abound, even as magazines mysteriously disappear.
As the end “family time” grew near, one girl was left on the floor, turning a page a millisecond, ripping whole pages out with this nervous face full of fear that time would run out and I would be taking the magazines back before she maximized the total number of interesting and semi-interesting images she could find. “It’s ok,” I told her, “I will leave the magazines here.” I picked up scraps of construction paper and put them in the recycling box, cleaning up. It was getting late. But she kept on going.
In the end she reached the last page and joined me in cleaning up, carefully tucking away her new collection of glossiness, perhaps with plans of creating a glossy magazine shrine as soon as she found enough tape.
Though she, like everyone else, ignored the colored, soft, palm-palm thingies.
Sunday, July 17, 2011
Party Vacay Bus to Gisenyi
I was on the party bus. On the way to Gisenyi. Everyone was snacking, which was fabulously different than the usual strict three-meals-or-less-a-day norm. I will never, ever understand how Rwandans can eat no more than three big meals a day and not touch the tiniest bit of edible energy in between. It's usually a matter of money – snacking is pricey. Also, bread is expensive in Rwanda, and Cassava bread (it's not bread, it's mush) doesn't last so long, so you can't just wrap what you have leftover for later. You need to eat it all in one meal. It also is, perhaps, a matter of being polite – snacking in public when not all can must be somewhat rude. But a vacay bus is a vacay bus, and these passengers were clearly more interested in maximizing the enjoyment in their vacation. It may have been a Tanzanians-and-Kenyans-going-on-vacation-in-Rwanda bus or a Rwandans-who-grew-up-in-Tanzania-or-Kenya bus, because everyone was chatting in a mix of Kinyarwanda and Kiswahili. When the second-hand-clothing sellers gave their sales pitches in the last stop before leaving Kigali, a woman was checking our a very frilly, girly, leather jacket. It was apparently for her hubby, who wore it the whole trip to the vacay spot. Men often wear womens' jackets. Or well, what was manufactured for women, anyways. And in between munches on their kabobs – totally inappropriate for Rwanda and awesome – passengers were swigging down their Waragi, the Ugandan hard liquor that is the poster boy for what not to drink in secondary schools throughout the country. As passengers were becoming more and more pissed, the driver was becoming more and more pissed at them. “I will report the police on you!” he yelled to them, and everyone begged in him not to, including the most drunk passenger in between giggles.
There are police checkpoints in Rwanda to check I.D's. At one such checkpoint, the driver,
who was beyond irritated at that point, pointed to the passenger who was the most drunk and making lots of noise and giggling. We'll call him “giggles.” Everyone in the bus, in full party-drive, begged the driver to give Giggles a break. A lot of explaining and yelling and threatening ensued between the driver, the police, and the passengers, until the driver gave Giggles a break and we went on our way, stopped every second for the really drunk passengers to pee, which added an hour or so to our journey.
The music was a great mix of terrible American rap with an insane amount of expletives and detailed sex descriptions but in really clever rhyme. And in English, thank God. It's a long drive to Gisenyi.
There were hardly any girls on the beach. There were lots of weddings. But not a lot of girls just running around, splashing around, and getting time to breath in the lake air. From my ver
y unscientific tiny sample size of ASYV students and galleries in Kigali, it appears that girls are not as good at realistic drawing and composition as boys, and maybe those moments of running down and having fun on the beach contributes to artistic sentiments. Maybe just looking at really nice views with nothing else to think about, which you do at the beach, boosts art development.
There were lots of vacationers doing flips, playing catch, swimming and getting married. The thematic colors of one wedding were very shiny florescent pink and silver. Including for the men, who wore the shiny pinkness on their toga-ish traditional dress (there is a word, no time to find out now...) with the silver shining through on the buttoned-down colored dress shirts under the pink toga.
You walk along the lake on the path on the swanky side and you pass massive villas and scandalously exclusive hotels, perched far from the pathway and covered by foliage but with a small hint of elaborate decorate window frame to make you dream of what it would be like to peer out from these massive monstrosities. They are a few minutes from the Congolese border.

Vacationing girls in Gisenyi wear stilettos, which I think is the result of far more paved roads. They wobble if they must, but vacation is vacation. And not a time for practicality.
On the right are drawings from students which I think captures Gyseni quite well. In different ways, but together they capture the city, whether that was their intention or not. Enjoy.